
Some of the lost kids in the Lost Children Center at Coney Island, Summer ca. 1940… and Midtown, Summer, 2006…
Coney Island
67 Years Ago Today… Here Is How Luna Park Looks Today…
71 Years ago today… Only 89 degrees…
And a CD with a Weegee photo on the cover…
Not Weegee… but not bad…
"It seemed that the whole world had assembled on this beach, casting off its sinful, soiled clothes, and had established a naked city…"

Uncle Moses: a novel, By Sholem Asch, p.134, 1918
“The entire beach, as far as the eye could see, was inundated with wet, barefoot, half-naked people. Bodies, bodies, bodies everywhere… ‘And here we are now, all lying naked on Coney Island beach.'”
Large number of similarities between this passage from Sholem Asch’s “Uncle Moses” and Weegee’s text and photo…
According to the NY Times, from a review of a re-release of the 1932 film: “‘Uncle Moses,’ which is based on a 1918 novel by Sholem Asch (originally published in The Jewish Daily Forward in serial form), offers today’s audiences a glimpse of Maurice Schwartz…” (Maurice Schwartz! Another Weegee connection…)
The book can be read, downloaded, etc. here…
(first drafts)
There were a number of attempts by Weegee to make the famous Coney Island photo…
Here are some of them:

PM Daily June 17, 1940, pp.16-17
(The first draft of the first draft of the first draft of history…)

Weegee’s photos of the crowd at Coney Island, taken before July 22, 1940 (perhaps in chronological order)…
The number of variants, or number of exposures, or photos that Weegee made of the same scene is something that interests us a great deal. The version of this photo that was published in PM Daily on July 22, 1940, is not the same photo that appears in the all of the Weegee books, from Naked City to Weegee’s World… A prominent photo agency has a number of variations on their web site…
An early “version” of, or attempt at, this photo was published in PM Daily on June 17, 1940, in a trial or test version of the paper, a day before PM started publishing, a day before Volume one, Number one…
Truly Timeless: Yesterday at Coney Island…
PM Daily, July 22, 1940, pp. 16-17 and The New York Times, Wed., October 20, p. A22
In the Lens photographer’s feature L. Romero writes:
“Timeless… this Coney Island spectacular, taken on July 22, 1940, never fails to amaze…”
The photo wasn’t taken on July 22, 1940, it was published on July 22, 1940. July 22, in 1940 was a Monday.
In a March 1941 issue of Life magazine, Weegee writes that the Coney Island photo was made on July 21, 1940…
Weegee writes in the July 22, 1940 PM: “Saturday was very hot. So I figured Sunday ought to be a good day to make crowd shots at Coney Island. I arrived at the beach at Coney at 4 am, Sunday…”
The text ends: “When I got back to the city, I took a shower and finished my pictures. While I was at Coney I had two kosher frankfurters and two beers at a Jewish delicatessen on the Boardwalk. Later on for a chaser I had five more beers, a malted milk, two root beers, three Coca Colas, and two glasses of buttermilk. And five cigars, costing 19 cents.”
The timeless photo is often incorrectly dated and titled, in the first two Weegee monographs:
“Coney Island, the crowd turned to look at Weegee standing on top of the lifeguard station, 1938-39, Weegee, 1977, pp. 52-53
“Coney Island, 28th of July 1940, 4 o’clock in the afternoon” Weegee’s New York, 1982, p.41
A very selected bibliography of this Coney Island image (and its variants):
PM Daily, July 22, 1940, Vol. I, No. 25, pp. 16-17
Life, March 3, 1941, p. 108
Weegee, Naked City, New York: Essential Books, 1945, pp. 178-179
Photography Handbook, ca.1958, no. 6
Weegee, Weegee by Weegee, New York: Ziff-Davis Publishing Company, 1961
Stettner, Louis, ed. Weegee. New York: Alfred A. Knopf, 1977, p. 52-53
Coplans, John, Weegee’s New York: Photographs 1935-1960. Munich, GmbH: Schirmer Art Books, Schirmer/Mosel Verlag, 1982, p. 41
Centre National de la Photographie, Weegee, Paris: Centre National de la Photographie, 1985, fig.62-63
Barth, Miles, Weegee’s World. New York: Bullfinch Press, 1997, pp. 140-141
On December. 23, 1940, p. 18, PM Daily published a fraction of this photo, and:
“These Pictures Are PM’s Gift to You…
They are being given to readers who give PM Christmas gift subscriptions. Page 7 gives details.”
Auctions! Seven Highest Prices Paid for Weegee Photos and Books at Christie’s, New York…
Seven Highest Prices Paid for Weegee Photos and Books at Christie’s, New York…

1. Weegee, A Portfolio (1940s-50s)
$47,000
SALE 9484, 13 OCTOBER 2000
New York: Privately published, 1981. 49 gelatin silver prints, printed by Sidney Kaplan. Each with PHOTO BY WEEGEE N.Y.C. and PRINT: KAPLAN stamps on the verso. One of four complete portfolios realized from the original edition of 25.
Each approximately 163/8 x 125/8in. (41.7 x 32cm.) or the reverse.
LOT NOTES
Originally planned as an edition of 25, this portfolio is one of only 4 produced in 1981 by Wilma Wilcox and three of Weegee’s colleagues. Although posthumously printed by Sidney Kaplan in 1981, the group of 49 prints represents Weegee’s greatest images from throughout his career. One of the four examples is in the collection of the Metropolitan Museum of Art, New York and another was sold at Phillips, New York on 31 January 2000.

2. Naked City. New York: Essential Books, 1945.
$37,000
SALE 2110, 10 APRIL 2008
Octavo (234 x 164 mm). 239 black and white photographs. Original tan cloth, spine and front cover lettered in blue; original photo-illustrated dustjacket, printed in yellow, red and black (a few short tears, a few very small chips at extremities); cloth folding box. Weegee’s signature in green ink on the title page, dated “1948”.
Autograph letter signed (“Weegee”) to John Faber (“Mr John Faber”), with envelope, undated but postmarked “13 April 1960”, from the Mapleton Hotel, London. 10 pages, quarto.
FIRST EDITION, SIGNED BY WEEGEE AND IN AN EXCELLENT DUST-JACKET.
WITH A LENGTHY LETTER FROM WEEGEE TO JOHN FABER, of the Eastman Kodak Co., describing how he came to shoot ‘The Critic’, one of his most famous photographs: “this photo changed the whole course of my life”. His work as “official” photographer for Murder Inc not starting until midnight Weegee decided to take a chance on an opening at the Metropolitan Opera House: “the other photographers… told me to go back to my corpses, being a non conformist I said to myself fuck that nonsense, I went outside in the cold”, a car pulled-up, but the war meant a black-out was in effect, “I couldn’t see much but I could smell the smugness, so I aimed my camera and made the shot… and rushed back to the newspaper”. Weegee describes the “dopey” editor rejecting the photograph, and how it was subsequently picked-up by Life and published throughout the world and “in my first book Naked City”. Weegee then discusses selling the film rights, becoming a celebrity himself, and moving to Hollywood (“all the gangsters having shot each other off”). He goes on describing working on both sides of the Atlantic for Vogue&, Life, Fortune and others: “I still haven’t recuperated from that photo”.

3. The Critic (Mrs. Leonora Warner & her mother, Mrs. George Washington Cavanaugh attending opening night at the Metropolitan Opera), 1943
$31,000
SALE 1893, 18 OCTOBER 2007
gelatin silver print
10 5/8 x 13½in. (26.7 x 34.2cm.)

4. Woman Cab Driver and Macy’s Clown
$25,850
SALE 9432, 12 OCTOBER 2000
Woman Cab Driver and Macy’s Clown
Gelatin silver print. Circa 1942. Credit stamp on the verso.
10½ x 133/8in. (26.7 x 34cm.) Framed.
5. Their First Murder (ca. 1936)
$23,000
SALE 7902, 21 APRIL 1994
Gelatin silver print.
1945.
Weegee The Famous; Arthur Fellig credit stamps; Popular Photography layout stamp and typed narrative text on a trimmed page affixed to the verso. 11¾ x 10 5/8in.
LOT NOTES
In response to Mr. Whiting’s request to reproduce the picture offered here (see Lot 166), Weegee wrote on September 13, 1946 in a letter which accompanies the lot: Thanx for your kind letters. & excuse the delay in answering them…As I am having my teeth fixed and a new set of STORE TEETH ordered from my favorite MAIL ORDER house…You might be intested (sic) that I have changed my act once more…NOW I am doing the photos for the SCRIPPS HOWARD newspapers full page ads in papers and magazines all over the country….$$400.00 yes I said four hundred bucks for a nights work.

6. Mother and Child in Harlem, 1943
$18,750
SALE 2076, 17 OCTOBER 2007
gelatin silver print
titled ‘Negroes Moving into Wight [sic] Neighborhood’ in an unknown hand in pencil, ‘Weegee the Famous’ and ‘Photo-Representatives’ credit stamps (on the
verso)
13 3/8 x 10 5/8in. (33.9 x 27 cm.)

7. Coney Island
$17,925
SALE 1039, 18 APRIL 2002
Gelatin silver print. 1940/1940s. Reproduction limitation stamp on the verso.
7½ x 9½in. (19 x 24.2cm.)
(The above is from Christie’s’ website… obviously many of the titles and dates are not accurate…)
I guess this tells us that people are crazy, or, that it’s the iconic, or “Famous Forty,” Weegee images are still the ones that are the most sought after…
The exception is the amazing “Mother and Child in Harlem,” 1943.
One of the best things about the portfolio is that the negatives are uncropped, they are all full frame…
















