Archive

1944


PM, August 31, 1941, p. 18

Holiday Accidents took their toll as motorists started their Labor Day week end. Early yesterday Joseph Morris and his brother’s wife, Charlotte were killed when this car overturned in Bronx Park. The driver, Anthony Morris, Navy purchasing agent, was injured. Three other auto deaths had been listed last night; the Motor Vehicle Bureau says about 40 will die before Tuesday in New York State.”


PM, August 31, 1941 (photo by Martin Harris)

Union Members vacationing…Vivian Cherry…”


PM, 1944, p. 13 (photo by John De Biase)

Here’s the Labor Day Rush at the Holland Tunnel
Our photographer waited around at the Holland Tunnel yesterday to get the Labor Day traffic…”


PM, 1944 (photo by Stanley Kubrick)

Bronx Motorists Strike Oil
Bogart’s Service Station at 164th St. and Jerome Ave. he Bronx, was a Labor Day rarity – it had gasoline to sell. At 10 a.m. yesterday cars were lined up there for more than a block.”


PM, September 3, 1947, p. 13 (photos by Irving Haberman)

Harlem Crowds Turn Out For West Indies Day…


PM, Thursday, October 12, 1944, pp. 12-13, Photos by Weegee, PM
“New York: Explanation: Sinatra Opened at the Paramount”

“Frank Sinatra began an engagement at the Paramount Theater here yesterday. He reached the theater at 6 a.m. yesterday, but by that time, a long line – about 1,000 kids, mostly bobby sox girls – had already been waiting for hours in the chill air of early morning… Rehearsal lasted until 8 a.m., and at 8:30, the doors of the theater were thrown open to madly rushing, crowding, shoving, elbowing followers of The Voice… Some of the girls refused to have their pictures taken, covered their faces with their hands. They were playing hookey from school and jobs, and planned to stay in the Paramount all day and all night to see each of Sinatra’s five appearances on stage.”

“After the doors were thrown open at 8:30, and the kids had been seated, and the feature picture had been run (during which the kids screamed ‘We want Frankie!), Sinatra brought ecstasy…” PM, Thursday, October 12, 1944, pp. 12-13


PM, April 23, 1944, pp.m4-5

Fire Alarm
Weegee calls this his favorite photo. It was made at dawn recently on Manhattan’s Lower East Side during a tenement house fire. ‘The couple on the sidewalk,’ Weegee told us, ‘are watching the fire and hoping their belongings will not be burned. That is, the ones which the man had to leave behind.’ What happens to New Yorkers when they’re burned out of their homes? Well, the Emergency Welfare Division of the Department of Welfare takes them under its wing; finds temporary quarters for them in hotels, rooming houses or the Municipal Lodging House; helps them find new permanent homes; provides emergency food, clothing and even money for expenses. Families with very low incomes and those on relief get replacements of destroyed clothing and furniture free of charge. Clothing and blankets are kept in a Division warehouse and are rushed to citizens whom fire has forced to jump out of bed and flee into the cold night.” PM, April 23, 1944, pp.m5


US Camera, 1944, p. 40

“How these pictures were made.
SALVAGE from a tenement house fire is a typical Weegee shot. He says: “The other photogs on the job thought I was nuts to turn my camera on the spectators instead of the fire – but of all the pix I’ve made, I like this the best.” Made with a 4×5″ news camera, fast pan film, one flash bulb, in 1/200th of a secons at f/16.”


Naked City, 1945, p. 71

“A couple driven out from the burning tenement… I don’t know their names… but I did hear someone call him ‘Pincus’… so here they are right across the street from their burning tenement… it looks like Pincus had time to grab a woman’s dress… his best coat… but minus the pants…” Naked City, 1945, p. 71


“Tenement fire, 1945.” Weegee, 1977, p. 65


“The clothing has been saved, 1943.” Weegee’s New York, 1982, p. 34


“A couple driven out from the burning tenement…” Weegee’s World, 1997 p. 120

moma_art_in_progress1a

moma_art_in_progress3

Art in Progress: 15th Anniversary Exhibitions: Photography
May 24–September 17, 1944
At MoMA, in NYC.

“FELLIG, Arthur (Weegee). American, born Austria 1900.
Brooklyn School Children See Gambler Murdered in Street. (225.42)
Oct. 8, 1941. Given anonymously.
*Tenement Fire, Brooklyn. Dec.14,1939. ILL. p.158. (96.43)
My Man, N.Y.C. 1941. (95.43)
Woman Shot from Can[n]on, N.Y.C. 1943. (696.43)
Above 3 prints Purchase Fund.
Opening Night at the Opera, N.Y.C.1944. Given anonymously.

All info and images from moma.org

Two years in a row: 1943, 1944 at MoMA, in NYC…

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PM, October 12, 1944
Explanation: Sinatra Opened at the Paramount
“Frank Sinatra began an engagement at the Paramount Theater here yesterday. He reached the theater at 6 a.m. yesterday, but by that time, a long line – about 1,000 kids, mostly bobby sox girls – had already been waiting for hours in the chill air of morning. While they waited and Sinatra rehearsed inside the empty theater with Raymond Paige and his orchestra. Rehearsal lasted until 8 a.m. and at 8:30, the doors of the theater were thrown open to the madly rushing, crowding, shoving, elbowing followers of The Voice. They had been playing cards, eating sandwiches from paper bags, and drinking hot coffee from thermos bottles while they waited. Some of the girls refused to have their pictures taken, covered their faces with their hands. They were playing hookey from school and jobs, and planned to stay in the Paramount all day and all night to see each of Sinatra’s five appearances on stage.”

“While he rehearsed and his followers waited, weary-eyed Sinatra drank milk, learned his cues, went through his paces at the mike with out singing, relaxed as much as he could.”

“Outside, meanwhile, the lines grew longer as the Bobby Sox Brigade converged on 43d St. and Broadway. At 7 a.m., when this picture was made, the line extended halfway to Eighth Ave.”

“Although 25 City policemen were on duty to keep the kids in order, special New York guards had their hands full keeping the entrance to the Times building on 43d St. clear.”

“After the doors were thrown open at 8:30, and the kids had been seated, and the feature picture had been run (during which the kids screamed “We want Frankie”), Sinatra brought ecstasy…”

“…to his legion of patient admirers. Photos by Weegee, PM

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PM, October 13, 1944
‘Sunday, Monday and Always’
These pictures were taken yesterday inside the Paramount Theater where Frank Sinatra was in the second day of a personal appearance engagement. Enough said, we think. Photos by Weegee, PM