Archive

1943

“…heiress slain early Sunday…”

October 26, 2022
1943, PM


“A Collection of Favorite Hawaiian Songs”; Dorothy Lamour; Dick McIntire And His Harmony Hawaiians; Del Lyon; Lani McIntire; Gordon Beecher; Johnny Noble; Alfred Newman; Frank Loesser; R. Alex Anderson; Decca (23323 A / 23323 B / 23324 A / 23324 B); Publication date: October 26, 1943

Murder Hunt Centers on Husband’s Missing Uniform


PM, October 26, 1943, p 11

The body of Mrs. Patricia Burton Lonergan, heiress slain early Sunday, is removed from her Beekman Hill apartment. Photo by Weegee, PM
PM, October 26, 1943, p 11


“Murder in the First Degree”; St. Louis Jimmy; Burton & Oden; Parrot (823); April 1956


October 26, 2022

[Weegee was on the spot for the murder that resulted in “one of the most sensational trials of the 1940s.” (NY Times)… Wayne Lonergan was in Sing-Sing prison for more than twenty years. He was “sentenced to 35 years to life after his conviction on second degree murder charges, [he] was released in 1967 and deported to Canada. He lived quietly in Toronto, where he died of cancer.” (The New York Times, January 3, 1986)… (The $385 monthly rent that the Lonergans paid for the triplex apartment, the first three floors of the building, built in 1939, is about $6,600 today)…]


“It’s Murder”; Lil Armstrong And Her Swing Orchestra; Lil Armstrong; Buck; Armstrong; Decca (1182 A); 1936

“Shades of prohibition…”

December 13, 2021
1943


“Bartender Boogie”; Jack McVea and His Door Openers; McVea; Mosley; Black & White (766 A); July 1946


Life, December 13, 1943, pp. 38-39 (Photos by Weegee, Thomas D. McAvoy, Edith Rose, Walter Sanders, and Sam Shere)


“Bartender, Fill It up Again!”; Otis Blackwell; Jay-Dee (787); 1954


Life, December 13, 1943, p. 38 (Photo by Weegee)

Shades of prohibition hovers over New York City on Nov. 23, when Federal agents raided three dozen taverns and bars accused of selling bootleg liquor. In the west side as shown here, more than 50 gallons of hooch were found, some of it in bottles of well-known brands. Raiders are tearing the joint to pieces under forfeiture provisions of Internal Revenue law.


“Hey Bartender”; Red Saunders & his Orch.; Joe Williams; R. Hall; Saunders; Okeh (7061); 1955

WHISKY SHORTAGE

Nation drinks what it can as favorite spirit grows scarce.

Throughout the U.S. last week, liquor-store proprietors gave customers the once-over…


“Quiet Whisky”; Wynonie Harris; Schell; Glover; Harris; Weismantel; King (4685); September 11, 1953


Life, December 13, 1943, p. 38

In Washington this liquor store disposes pf all its available whisky each week in a hectic one-hour sale. Clerks handle long lines of customers on a first-come, first-served basis.

In Virginia, where liquor is rationed through Alcoholic Beverage Control Board stores, customers may buy one quart of spirits or a half gallon of table wine per month. In this ABC store stocks are low.


“Hey Bartender”; Floyd Dixon and his Band; Terry; Cat (114); April 1955

“You’ve answered your question”

November 23, 2021
1943, PM, Uncategorized


“Rocking Pneumonia and the Boogie Woogie Flu”; Vincent; Smith; Huey Smith and The Clowns; Ace (530); June 1957


PM, November 23, 1941, p. 43

What To Do If We Get A Real Flu Epidemic


“Suspician”; Jo Stafford; The Stalighters; Paul Weston’s Mountain Boys; Les Paul; Foster Carling; Capitol (15068); 1948



PM, November 23, 1941, pp. 44-45

‘SUSPICION’

With Cary Grant and Joan Fontaine
An Alfred Hitchcock Melodrama


“Eye To Eye”; MR. Blues Carson and His Orchestra; Hi-Lo (1420); June 1953


“Half A Photograph”; Kay Starr; Harold Stanley; Bob Russell; Harold Mooney; Capitol (C 2464); April 15, 1953


PM, November 23, 1941, pp. 48-49 (…a photo by Gene Smith…)

Catching the Eye Of Man in Street

People Who Took These Photos Weren’t ‘Arty’ They had Their Lenses on the World


“Murder in the First Degree”; St. Louis Jimmy; Burton & Oden; Parrot (823); April 1956


PM, November 23, 1941, p. 64

Smart Burton Turkus Battles Murder, Inc


“It’s Murder”; Lil Armstrong And Her Swing Orchestra; Lil Armstrong; Buck; Armstrong; Decca (1182 A); 1936

“Here’s How New Yorkers Try to Cool Off”

June 9, 2021
1943, PM


“Hot Bread,” Beverly White And Her Blues Chasers; Ward Baker, May 1943


“Cool Breeze,” Billy Eckstine; Gene Ammons; Dameron; Gillespie, 1946

Here’s How New Yorkers Try to Cool Off

These youngsters play in a flooded gutter on Carrol St., Brooklyn, the lad in the foreground showing just how he’d swim at the beach. It’s fun, but unsanitary. There’s virtually no limit to the diseases that could be picked up from street dirt. This picture gives you a concrete argument for more – not fewer – playgrounds, so greatly needed to keep young New York healthy. Photo by John De Biase, PM

This is better. Water straight out of a hose won’t hurt anybody. The young man is enjoying a shower on Dean St. Photo by Arthur Leipzig, PM


PM, June 6, 1943, p. 16

Here’s How New Yorkers Try to Cool Off

The hot nights have filled many a fire escape. A mother and two sons sleep outdoors at a tenement on East Houston and Mangin St. Photo by Weegee
PM, June 6, 1943, p. 16


“Cool Playin’ Mama, “Sammy Cotton; Paul Gayten and his Orchestra; Biggs; Cotton, 1950


“Cool Down Mamma,” Lost John Hunter and His Blind Bats, Lost John Hunter; Hunter, 1950

“Diamond Horseshoe Takes a Look At the Future and Finds It Gay”

June 5, 2021
1943, PM


“Take It Slow and Easy,” Billy Banks’ Rhythmakers, Henry Allen, Pee-Wee Russell, Jow Sullivan, Eddie Condon, Jack Bland, Al Morgan, Zutty Singleton, Billy Banks, 1939


“The can-can girls in the When Paris is Paree Again number of the new show at Billy Rose’s Diamond Horseshoe.”
PM, May 31, 1943, p. 26 (Photo by Weegee)

Billy Rose Retreats Into the Future

By Louis Kronenberger

Having purveyed nostalgia and Gay-Ninetyish frou-frou at the Diamond Horseshoe for several years, Billy Rise about-faced Saturday night and marched into the future…

In its waltzier and wigglier moments, Post-War Preview has the oomph and sheen of Diamond Horseshoe entertainment at its brightest. The girls, as usual, are a splendid group. When the show goes in for a Victory Ball, offering four extremely fat ladies as “The Four Freedoms,” there is rather less to be said of it. Nor is there much to be said of the singing and dancing. There are other short specialties, of which some female contortionists and a dancer who lifts a pile of tables and chairs with his teeth are the most noteworthy.

Whatever its shortcomings, the thing has pace, color, and looks. At Diamond Horseshoe prices, it’s a good buy.


“YES SUH!,” Billy Banks & The Rhythmakers; Henry Allen; “Fats” Waller; Jimmy Lord; Pee-Wee Russell; Eddie Condon; Jack Bland; Al Morgan; Zutie Singleton; Billy Banks

Billy Rose’s new show in the late spring of 1943, at his Times Square Diamond Horseshoe venue, was called “Post-War Preview,” (“The Musical Shape of Things to Come”).

Weegee, the social documentarian, cannily captured the can-can girls…

“Post-War Preview” was in four or five parts: “The Night of Unconditional Surrender,” a post-war Broadway; “When Paris is Paree Again,” a post-war Paris; a post-war Vienna; the fourth part featured a post-war poet, Bob Hall; and the final “The Victory Ball” (in Washington) featured performers wearing masks of FDR, Churchill, Chiang Kai-shek, and Stalin, and an international cast.

It was a wildly successful, and well-reviewed, musical revue that played for over 10 months. Performances were at 8 PM and 12 AM; dinner from $3.50, (same buying power as $53.41 in April 2021).


“I’D DO ANYTHING FOR YOU (Haré cualquier cosa por ti)”, Rhythmakers; Billy Banks; Hill; Williams; Hopkins, 1932

Some of the performers included: Three Ross Sisters, Bob Hall, Herman Hyde, Billy Banks (died in Tokyo in 1967), Rosalie Grant, Vivien Fay, Four Rosebuds, Vincent Travers, and significantly Bobby Davis, (tap dances and “Puts one table on top of another and several chairs on top of the tables, leans down, takes a bite of the tables and lifts them up above his head with his teeth.” Brooklyn Eagle, June 1, 1943)


“A Message From the Man in the Moon,” Vincent Travers and His Orchestra; Buddy Blaisdell; Kahn; Jurmann, 1937

…There were no glasses, of course, on any of the girls last night. They are beautifully costumed in pink, blue and other colors, and Billy Rose told me that there wasn’t a single costume that cost him less than $360, which is considerable when you consider the amount of the gals that isn’t covered.

A radio announcer’s staccato voice starts the ‘Post-War Preview.”It is the Night of Unconditional Surrender and the announcer says that crowds in New York are dancing in the streets, 50,000 lights are aglow, and people are tearing up their ration cards into confetti… (The New York Post, June 1, 1943.)


The New York Post, May 28, 1943


“Tomorrow Is Another Day,” Vincent Travers and His Orchestra; Buddy Blaisdell; Kahn; Jurmann, 1937

“Midnight to Dawn, Anything Can Happen”

May 22, 2021
1943

Weegee sitting behind his car typing

Weegee text, May 22, 1943
May 22, 1943

Midnight to Dawn, Anything Can Happen

When Weegee opens an ordinary telephone conversation with “This is the fabulous Weegee talking,” he is telling the literal truth. He can gloat, and does, that his pictures hang in the New York Public Library and the Museum of Modern Art… In seven years Weegee has not gone to bed before ten A.M….

“New York’s so crowded inna daytime you can’t breathe onna streets,” Weegee says in his rich New Yorkese…


Screenshots, moma.org

(MoMA had these Weegee photos by 1943 or 4…)

“…an Arthur Fellig favorite…”

April 14, 2021
1943, 1944


[Narberth], April 13, 1944, p.3

“Camera Topics,” by T.T. Holden.

“The Salvation Army serves over 12,000 doughnuts every day to service men and women in Philadelphia through their fleet of seventeen mobile canteens and six club cars…”


[Narberth], April 13, 1944, p.3

“Windsors at the circus, an Arthur Fellig favorite. 4×5 Speed Graphic on Agfa Superpan Press film, one bulb at camera, f: 4.5 at 1/250th sec.”

(The photo, one of at least six of the Windsors at the circus, was made in May 1943… after a final photo: “They shook hands. Weegee says he got this picture of himself by psychic means. ‘I then packed up,’ his report adds, “and went to a nearby Automat and had a cup of coffee.”)


[Narberth], April 13, 1944, p.3

“The WAR and YOU”


[Narberth], April 13, 1944, p.3

“These Things Make a Job Worthwhile!”

This day in history (yesterday).
(Wartime Weegee with royalty covering the home front… and drinking coffee…)


PM, April 13, 1941, p. 50 (Elizabeth Hawes, Charles Martin)
“Suppose That Clothes Were Good for Four Years…”

FIREMEN FOLLOW DIRECTIONS

December 21, 2020
1943, fire, Naked City

FIREMEN FOLLOW DIRECTIONS
A sign across the front of this seven-story loft building near the Brooklyn Bridge instructed firemen to “Simply Add Boiling Water.” However, cold water was all they had, and anyway it seemed to them that it win this case it might prove more effective. AP Wirephoto.
San Francisco Chronicle, December 21, 1943, p.7

THE FIREMEN FOLLOWED DIRECTIONS
Although the water they used was cold, New York firemen fighting a blaze in a seven-story building did their best to follow directions on a sign on the building: “Simply Add Boiling Water.” (A.P. Wirephoto)
The Philadelphia Inquirer, Tuesday Morning, December 21, 1943, p.6


Naked City, 1945, pp.52-53

3. FIRES…
The surprising thing about New York families, living as they do in such crowded conditions, is that they still manage to crowd in pets like dogs, cats, parrots, which they always try to save at fires. At one fire, I saw a woman running out holding a cardboard box with a couple of snakes inside. I questioned her. (It was none of my business, but I’m curious about people)… she told me she was a dancer who used the snakes in her act…
Naked City, 1945, p.52


Minicam, 1947

The Sign across the center of the building refers to the frankfurters, not the firemen! Weegee put his Speed Graphic with 5 1/4″ lens on a tripod and three No. 3 flashbulbs on extensions. Super Panchro Pres – 1/10 at F:8
Minicam, 1947


Third Avenue El, (3 second excerpt), by Davidson (Carson), 1950

The Eye of Fate

Did New Yorkers look completely different 50 years ago than they do today? Where have those kinds of faces gone?

There is cruelty in Weegee’s flash, but there is also harsh beauty. Sometimes it is the almost abstract beauty of light against dark, as in his photograph of a fire at the Hygrade Frankfurters factory — called “Simply Add Boiling Water.” But sometimes it is the raw beauty of emotion that Weegee captures in his subjects.

The faces themselves can hardly be called beautiful. They seem at first to belong not merely to another time but to another world, as remote from the present as the portrait of a Renaissance pope. It is human flesh, but arranged by a rough, unfamiliar hand. It takes awhile, wandering among Weegee’s photographs, listening to a pair of old men remembering Times Square in 1942, to realize that an old-fashioned face still lurks in each of us, if only a Weegee were there to see it when it surfaced.
The New York Times, December 5, 1997, p.30

“When Paris is Paree Again”

May 31, 2020
1943


PM, May 31, 1943, p. 26 (Photo by Weegee)

“The can-can girls in the When Paris is Paree Again number of the new show at Billy Rose’s Diamond Horseshoe.”

Billy Rose Retreats Into the Future

By Louis Kronenberger

Having purveyed nostalgia and Gay-Ninetyish frou-frou at the Diamond Horseshoe for several years, Billy Rise about-faced Saturday night and marched into the future…
Whatever its shortcomings, the thing has pace, color, and looks. At Diamond Horseshoe prices, it’s a good buy.

Billy Rose’s new show in the late spring of 1943, at his Times Square Diamond Horseshoe venue, was called “Post-War Preview,” (“The Musical Shape of Things to Come”).

It was in four or five parts: “The Night of Unconditional Surrender,” a post-war Broadway; “When Paris is Paree Again,” a post-war Paris; a post-war Vienna; the fourth part featured a post-war poet, Bob Hall; and the final “The Victory Ball” (in Washington) featured performers wearing masks of FDR, Churchill, Chiang Kai-shek, and Stalin, and an international cast.

It was a wildly successful, and well-reviewed, musical revue that played for over 10 months. Performances were at 8 PM and 12 AM; dinner from $3.50, (same buying power as $51.28 in April 2020).

And most importantly, a review in PM featured an obscure, almost unknown, not-published-in-77-years Weegee photo… A good example of his seldom-seen, war-time, home-front work…

Some of the performers included: Three Ross Sisters, Bob Hall, Herman Hyde, Billy Banks (died in Tokyo in 1967), Rosalie Grant, Vivien Fay, Four Rosebuds, Vincent Travers, and significantly Bobby Davis, (tap dances and “Puts one table on top of another and several chairs on top of the tables, leans down, takes a bite of the tables and lifts them up above his head with his teeth.” Brooklyn Eagle, June 1, 1943)

…There were no glasses, of course, on any of the girls last night. They are beautifully costumed in pink, blue and other colors, and Billy Rose told me that there wasn’t a single costume that cost him less than $360, which is considerable when you consider the amount of the gals that isn’t covered.
A radio announcer’s staccato voice starts the ‘Post-War Preview.”It is the Night of Unconditional Surrender and the announcer says that crowds in New York are dancing in the streets, 50,000 lights are aglow, and people are tearing up their ration cards into confetti… (The New York Post, June 1, 1943.)


The New York Post, May 28, 1943