PM, August 17, 1942, pp. 8-9

Weegee Passes Up a Movie for a Holdup Alarm… And Gets This Group Portrait of Five Prisoners
“by Weegee”
“I was on the way to the Fifth Ave. Playhouse to see the movie, “Sins of Bali,” strictly a cheesecake affair, when I picked up a signal on my police radio for a holdup car. I went chasing after the car instead of going to the movie…”

“…Arrest didn’t dampen the spirits of Lillian and Pauline, 16 and 18, when they posed for this picture. Their companions, left to right, are Steve Samanek, 27, Raffael Martini, 18, and Baspay Cabrera, 23. Cabrera and girls worked outside, police say.”

(One of our favorite PM spreads. PM ran the better photo…)

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New York Daily News, August 17, 1942
Stickup Quintet and Burglars: “These five youngsters have admitted that they are the stickup quintet that had police on the jump for a week. They’ve confessed to 20 robberies in the last seven days, which netted $1,500 in loot. Rear: Steve Samanek, Raffael Martini, Gaspay Cabrera,” Lillian Hornyak and Pauline Hornyak.”

“Sins of Bali,” “strictly a cheesecake affair…”
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North Tonawanda NY Evening News, November 1942

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Unknown Weegee

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Berinson book

(A slightly edited re-post.)

Our summer interns have been busy, they just created a Naked City map…

NAKED CITY. Photographs and Text by “Weegee.” New York: Essential Books. (246 pages with 247 photos.)

“Weegee by Weegee” at Fundación Foto Colectania
Barcelona, Spain
July 5, 2017 – November 5, 2017

110 Weegee photos…

“Weegee by Weegee”
Presentation of Weegee, the celebrated chronicler of New York’s darkest 1930s and 40s

The Weegee exhibition, produced by Foto Colectania and Banc Sabadell Foundation, brings together over one hundred photographs from one of the best photography collections in the world, M. + M. Auer from Switzerland, in a careful selection structured around Weegee’s books and press publications.

In the New York convulsion of the 30s and 40s, Weegee was a freelance graphic reporter who published in all the major newspapers and who turned crime into spectacle. Always alert, he carried in his car a radio tuned to the frequency of the police that allowed him to arrive the first to the scene of the crime. His technique, with hard backlights, gave the photos an aura of verismo and drama that continues to impact the viewer.

In his biography, Weegee explains: “My car became my home. It was a two-seater, with an extra large trunk. I saved everything there, an extra camera, flashlight bulbs, a typewriter, firefighter boots, cigar boxes, salami, infrared film to shoot in the dark, a change of underwear, uniforms, costumes and extra shoes and socks. (…) Since then I was no longer attached to the teletype of the police headquarters. I had wings. I no longer had to wait for the crime to come to me; I could go after him. Police radio was my way of life. My camera… my life and my love… it was my Aladdin lamp.”

The exhibition presents a careful selection of his work, showing images that range from crimes, fires or accidents to scenes of social and popular events, such as the conglomerations at Coney Island beaches or other leisure places of the New Yorkers of the time. Weegee could photograph a corpse, but also a masked ball or a solitary child; there is darkness in his photographs, but also tenderness. Nevertheless, one of the unique features of the exhibition is the display of original materials. Along with photographs by Weegee, the show will exhibit original materials such as newspapers and magazines in which Weegee’s photographs were published, like the original edition of “Naked City”, which was published in 1945 and immediately become a best seller…

Almost a century after his first photographs, Weegee’s work continues to excite both the public and the critic, thanks to his harsh and dramatic style, that he managed to reflect the society and nightlife of a city he knew better than anyone else.
Source: fotocolectania.org

For more info: fotocolectania.org


Inauguración de la exposición Weegee by Weegee. Colección M. + M. Auer

(Weegee talk from 18:39 – 26:00… A summary: L. Stettner trades 500 Weegee photos (and the work of other photographers, like Brassaï and Faurer) for one of Auer’s houses in Paris – “to exchange stones for paper” – at the end of the 1980s…)