Archive

1940


PM, July 22, 1940, pp.16-17

Yesterday at Coney Island… Temperature 89… They Came Early, Stayed Late

Cameraman Reports on Lost Kids, Parking Troubles

Weegee, whose real name is Arthur Fellig, took this picture at four in the afternoon. The temperature was 89 degree. The Coney Island Chamber of Commerce guessed there were 1,000,000 people. Nobody really knows.

Herewith is Weegee’s own story of his visit to Coney Island.

Saturday was very hot. So I figured Sunday ought to be a good day to make crowd shots at Coney Island. I arrived at the beach at Coney at 4 a.m., Sunday. The beach was crowded mostly with young couples lying on the beach covered with blankets. I took pictures of them. When I asked them their names they all said, “It’s just me and the wife,” as they pointed to the girl on the sand. I went back to the City.

I came back Sunday afternoon. I knew the rush was on when I looked for a parking lot to leave my car. All of them were full and were charging $1 to park the car. That was too much, considering that the usual price for parking on Sunday is 15 to 25 cents.

All the blocks with the “No parking in this block” signs were filled up. I then started to look for a fire hydrant to park. They were filled up, too. After riding round for a half hour I finally parked in a fire zone just off the Boardwalk. I guess no one else thought of that spot.

“This Is Too Much!”

After making the crowd shot I went into the “Cage,” a little shack underneath the Boardwalk with the door and windows covered with chicken wire cooping. That’s where all the lost kids are brought in after they’re found on the beach. The place is run like a cafeteria. Parents come in and look around to see their lost kids and then take them home. Sunday the place was in an uproar.

The policewoman was excited and said to me: “I may be a policewoman, and I have a heart. But this is too much. One hundred and fifty lost kids is too much. I haven’t eaten yet. I’m going to close up this place.”

No Play Wanted

On the way back to the city I was hailed by a female hitch hiker. “I’ve been waiting 15 minutes for a Surf Ave. street car,” she told me as she stepped into my car. I left her off at her destination. She wanted to go home and change into a play suit and ride with me. But I told her I had too much work to do and not enough time to play.

When I got back to the city I took a shower and finished my pictures. While I was at Coney I had two kosher frankfurters and two beers at a Jewish delicatessen on the Boardwalk. Later on for a chaser I had five more beers, a malted milk, two root beers, three Coca Colas and two glasses of buttermilk. And five cigars, costing 19 cents.

PM, July 22, 1940


Weegee, Naked City, 1945, pp.158-159

Not so long ago I, too, used to walk on the Bowery, broke, “carrying the banner.” The sight of a bed with white sheets in a furniture store window, almost drove me crazy. God… a bed was the most desirable thing in the world.

In the summer I would sleep in Bryant Park… But when it got colder I transferred to the Municipal Lodging House… I saw this sign on the wall there. A Sadist must have put it up. I laughed to myself… what Cash and Valuables… I didn’t have a nickel to my name, but I was a Free Soul… with no responsibilities…

Slumber-time in a mission… it’s Christmas.


Weegee, Naked City, 1945, p. 159

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PM, December 24, 1940

It’s No Trick that makes this steeplejack look as high up as the Chrysler Building needle – just the camera angle. He’s Andy Collins, 1074 Summit Ave., Bronx, painting the 60-foot pole atop the 38-story Commerce Building, 155 E. 44th St. Photo by Weegee
PM, December 24, 1940

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It’s No Trick that makes the Chrysler Building look like the Chrysler Building – just the camera angle…


PM, August 26, 1940, p.9

From Federal Penitentiary to This…

Two guns and the prostrate form of Louis Riggione tell the story. Released from prison two months ago, Riggione was enjoying his freedom by an early morning walk with his brother, Joseph, when underworld bullets mowed him down.


“Take It Off The “E” String”; Peter Piper and his Orchestra; Cahn; Akst; Hit (7055); September 1943


PM, November 8, 1940, p.16

Burlesque… By Reginald Marsh

The Artist as Reporter

…Reginald Marsh [1898–1954], for this page, worked backstage at Harold Minsky’s [1915-1977] Gaiety, Broadway at 46th St…


PM, November 8, 1940, p.17

Bellevue Morgue By Frederick Castellon [1914–1971]

The artist-as-reporter in the house of death…


“Vote for Mister Rhythm”; Chick Webb And His Orchestra; Ella Fitzgerald; Leo Robin; Ralph Rainger; Al Siegel; Decca (1032 B); 1936



PM, November 5, 1940, pp. 18-19 (Photos by David Eisendrath, William Brunk, Morris Gordon, John DeBiase)

The Camera Sees Some of the 50,000,000 Go To the Polls


“Vote For Mr. Boogie”; Buzz Connie; Jessie Mae Robinson; Coral (60004 B); 1948


PM, November 4, 1940, p. 9

LEWIS W. HINE, 66, documentary photographer whose pictures of the Red Cross in the World War, sweatshops and sociological conditions brought him fame, at Dobbs Ferry Hospital. He was known professionally as Lewhine.


The New York Times, November 4, 1940

Lewis H. Hine

Photographer Whose Pictures Showed Conditions in Factories


“Day Dream”; Johnny Hodges and Orchestra (An Ellington Unit); Billy Strayhorn; Duke Ellington’ Bluebird (B-11021-A); Publication date: November 2, 1940



PM, November 1, p. 12 (Unidentified photographer)

Mark Hellinger


“That’s the Blues Old Man”; Johnny Hodges and Orchestra; Johnny Hodges; Irving Mills; Bluebird (B-11117-A); Publication date: November 2, 1940