PM, February 21, 1941

“Court reports say the Esposito brothers, who set Fifth Avenue into a murderous uproar last month, killing two men and wounding two others, are feigning insanity at Bellevue Hospital. When psychiatrists are present, the two murders go off into a variety of fits but when no one but nurses are around the two prisoners are gallant, talkative and otherwise quite sane…”


PM, February 20, 1941

Feast of the Bums
by Ben Hecht

“It’s a dirty day around Houston Street and Bowery. The wind’s blowing. The cold takes a bite out of you. There’s a stale smell in the air as if something were dead…”


Extra! Weegee, page 104

Fire Defies Test Blackout
When New York City and New Jersey went dark tonight to test new air raid signals, this four-alarm fire in a paper factory illuminated a large section of downtown Manhattan…” February 18, 1943
Extra! Weegee, page 104


PM, February 18, 1943 (photos by Weegee and Steven Derry)
Two Alarm Fire at Greene and E. Third St… The fire was in a paper bag company on the third floor.”

Same fire, other side…

Perhaps the fire was at:
Salwen Paper Co., 189-195 Greene street
Henry F. Fulling Co. Inc. paper, 202 Greene street
Henry Fuchs & Son, paper & twine, 215 Greene Street



New York Times, February 19, 1943, pp, 1 and 13

New Raid Signal Blacks Out City
Public Response Encouraging, Mayor Says, but He Orders Another Drill Tonight…
Lightless, that is so far as man-made illumination was concerned. The clear full moon converted the side streets, the wide stretches of Broadway and Seventh Avenue into deserted silver lanes…”


(Screenshot from Swanngallieries.com)

Copied from: Swanngallieries.com:
“Sale 2466 Lot 70
What do Wear. Ferrotyped silver print, the image measuring 13 1/8×10 1/2 inches (33.3×26.7 cm.), the sheet slightly larger, with a Credit Photo by Weegee hand stamp and a typed caption label on verso; a Marcuse Pfeifer Gallery label is affixed to the the obverse of the lower mat. Circa 1941
From the Marcuse Pfeifer Gallery, New York; to a Private Collector, in the 1970s.”

Sold for $2750.00

Morris Weinstock, of 130 Baruch Place, (Manhattan, not Brooklyn), starring in “What to Wear,” published in PM on October 15, 1941…


(Screenshot from Swanngallieries.com)

Copied from: Swanngallieries.com:

“Sale 2466 Lot 92
At Sammy’s in the Bowery. Ferrotyped silver print, the image measuring 13 1/2×10 1/2 inches (34.3×26.7 cm.), the sheet slightly larger, with the Brooklyn Academy of Music Benefit hand stamp, with the credit, title, date notations, and the edition notation 30/100, in pencil, on verso. 1944; printed 1993
From the Collection of Peter Morris.
Unsold”
or
“Price Realized: $618


(Screenshot from Swanngallieries.com)

Lot 270, from the auction house website:
“A series of four photographs showing how the police break into a safe.
Silver prints, the images measuring 7 1/2×9 1/2 inches (5.4×7.6 to 24.1×19.1 cm.), and the reverse, each with Weegee’s Photo-Representative credit hand stamp and his 47th Street hand stamp, on verso. 1940s.”

(They can be seen here.)

The photos could have been made by Weegee, or any of hundreds of other photographers. The paper is single weight and a little smaller than 8 x 10,” the printing is neat, borders are even, suggesting that Weegee didn’t make the prints. Each photo has two “Weegee” stamps: a “Please Credit Weegee From Photo-Representatives” and “WEEGEE, 451 W. 47 Street, New York, N.Y. 10036, 212-265-1955.” They are stamped haphazardly, with dark black ink, and the 451 address is clearly legible. They have the same stamps as Lot 271. These “Weegee” stamps don’t match real or authentic stamps.

If these are the same stamps that were used on the backs of the photos in Lot 271, then Weegee probably did not make these photos. Of course it’s possible that Weegee made these photos in the 40s and someone had the stamps made and then used the stamps in the 80s or 90s or even in the 21st century…

Another photo in this series was at an auction in the summer of 2017:

An intriguing auction, consisting of two lots and 13 photos, with “Weegee” stamps, occurred on February 15, 2018, at Swann auction gallery.


(Screenshot from Swanngallieries.com on Feb. 10, 2016)

Lot 271, from the auction house website:
“WEEGEE [ARTHUR FELLIG] (1899-1968) (attributed to) [added after we made the above screenshot.]
A group of 9 crime-scene photographs from the early part of Weegee’s career, including gruesome depictions of murder victims.
Silver prints, the images measuring 2 1/8×3 to 4 1/2×6 1/4 inches (11.4×15.9 cm.), and some the reverse, the sheets slightly larger, each with Weegee’s Photo-Representatives hand stamp, sometimes twice, and his 47th Street hand stamp, on verso. Circa 1930. Estimate $4,000 – 6,000.”

(They can be seen here.)

When one looks at these photos it’s hard not to think something like, “Weegee did not make these photos.” Everything about them says “Weegee did not make these photos” – the images, content, size, paper, etc. But it’s a compelling narrative, they are small, most are sepia and silverish; maybe these are “from the early part of Weegee’s career.” And they all have “Weegee” stamps on their backs.

Let’s look closely at these stamps. Two stamps are used: “Please Credit Weegee from Photo-Representatives” and “WEEGEE, 451 W. 47 Street, New York, N.Y. 10036, 212-265-1955,” (the address in the later stamp is often not visible). Weegee used the Photo-Representatives stamp from approximately 1955-59 and the W. 47 Street was used from approximately 1964-68 (maybe?). For small photos they have plenty of stamps, four photos are stamped three times and five photos are stamped two times, all with black ink. They resemble “real” or “authentic” stamps, but don’t match exactly. In the “Please Credit Weegee from Photo-Representatives” stamp the “Please Credit Weegee” is slightly thicker or more bold on real or authentic stamps. “From” is a different typeface entirely, it’s slightly serif-ed in real and authentic stamps, and non-serif in Lot 271 stamps. And “Photo-Representatives” is more condensed in real and authentic stamps. When seen together they are obviously not the same stamp:


(Source of this image is probably from an online auction of similar photos with the same stamps in May 2017.)


(Verso of a photo from Lot 271.)


(Cropped JPEG of the verso of a Weegee photo, don’t remember which one.)


(Cropped JPEG of the verso of a Weegee photo, 19970.1993.)


(Verso of Weegee photo, 14787.1993. One stamp is centered and straight.)

The “Weegee” in the “WEEGEE, 451 W. 47 Street, New York, N.Y. 10036, 212-265-1955” stamp is less condensed on the backs of photos in Lots 270 and 271.


(Verso of a photo from Lot 271.)


(Verso of Weegee photo, 257.1996. One stamp is centered and straight.)


(Verso of Weegee photo, 14896.1993. One stamp is centered and straight.)

It’s easy and tempting to provide narratives of how “crime-scene photographs from the early part of Weegee’s career” wound up stamped with similar stamps to the stamps that Weegee used. And why they were stamped twenty and thirty years after the photos were allegedly made… Maybe Weegee’s assistant, Hypo the chimpanzee, had a Photo-Representatives stamp made late in the 1950s and then ten years later ordered a W. 47 Street stamp, and then used them both to stamp these nine photos that do not resemble in any way, known Weegee photos.

ICP has about 250 photos with a “WEEGEE, 451 W. 47 Street, New York, N.Y. 10036, 212-265-1955,” stamp. These photos are unambiguously Weegee photos. The prints were obviously made late in Weegee’s life, presumably from 1964-68, (possibly even posthumously). Almost all have one stamp, in black ink, and are stamped in the center of the paper, they are relatively straight. There are no photos with both “WEEGEE, 451 W. 47 Street, New York, N.Y. 10036, 212-265-1955” and “Please Credit Weegee from Photo-Representatives” stamps.

ICP has about 5,000 photos with a “Please Credit Weegee from Photo-Representatives” stamp. The same stamp is used, there are no variations of font and typeface. Black ink is common. Most of these stamps are more-or-less in the center of the paper and relatively straight. None are stamped eccentrically, like the photos in Lot 271.

Our opinion: these nine photos were made by three or four different photographers, none of whom were Weegee. The stamps are not the stamps Weegee used. They are not “Weegee’s hand stamps.” The stamps were made posthumously. The photos were stamped (the ink doesn’t look fifty and sixty years old) “recently,” posthumously, and not by Weegeee…