PM, October 5, 1941

Wrong Number: At least that’s the expression on Rainbow’s face, who seems ready to purr: “That ain’t my master’s voice.” This black cat used to live at the Aquarium. But the Aquarium is closed. Reporters at Manhattan Police Headquarters adopted Rainbow. PM Photo by Bob Evans.”


Screenshot, Phillips website


Screenshot, Phillips website


Screenshot, Phillips website


Screenshot, Phillips website

Phillips, October 3, 2017

“Under the Third Avenus ‘El’ – sold for $9,375.
[The Bowery. Beautiful “distortion” made in the mid-late 1950s, from a negative from the mid 1940s… “But there’s beauty in the street of forgotten men (and women)…” “Naked City,” p. 157.]

“Dressing room behind the circus ring, Ringling Brothers and Barnum & Bailey Circus” – sold for $11,875.
[Silly matting. “Two trimmed sections…” WTF?]


MoMA, “From the Picture Press,” 1973 (with arrows pointing to the Weegee photos)

Installation views from moma.org.

“From the Picture Press” January 30-April 29, 1973, at MoMA.

“‘From the Picture Press’ an exhibition of over 225 photographs selected from newspaper files of the past five decades.” (Press release, January, 1973)

Divided into seven sections: “ceremonies, winners, losers, good news, alarums [alarms] and conundrums, confrontations and disasters.”

The previous (November 7, 1972 – January 21, 1973) photo exhibition was of course: “Diane Arbus.”
For more info (installation views, checklist, three press releases, or two and one wall label) on Arbus exhibition: moma.org

For more info on “From the Picture Press”: moma.org

(To be continued…)


“Naked City,” NY Art Book Fair, September 2017

Ralph Ingersoll’s copy of “Naked City”… not inscribed… second printing… leather and blue cloth binding… $2,000.

Last time we counted:
“Naked City”: 246 pages with 247 photos
78 photos were published in PM

(Freelance might be more accurate. There was advertising in PM from 1946-1948.)

Perhaps Weegee’s autobiography is back in print…

Perhaps “Weegee by Weegee” (1961) is now “Weegee: The Autobiography” by Arthur Fellig” (2016).

Paperback edition: $15.95
Paperback: 190 pages
Publisher: The Devault-Graves Agency (February 8, 2016)
Language: English

Copied from the publisher’s website:

“Weegee: The Autobiography

Weegee not only captured the gritty underbelly of New York City in his explosive photographs, but he lived it as well. This long out-of-print autobiography, brought back as an ebook with complete and unabridged text by Devault-Graves Digital Editions, was written toward the end of Weegee’s life before he was the photographic legend he is today.

Here he tell the story of how an impoverished Jewish immigrant named Arthur “Weegee” Fellig from Zlothev, Austria, came to grips with one of the toughest cities in the world and made it his own. In wisecracking prose that is a match for his unblinking ferocity behind the camera, Weegee recounts his days of taking tintypes of kids on ponies and how this knowledge of the streets and neighborhoods of New York led to him being the first on the scene of the city’s every murder, disaster and heartbreak.

In Weegee: The Autobiography the author candidly and without reserve tells readers about documenting the grisly street executions by Murder, Inc., tenements up in flames, child killers, lovers in the back rows of movie theaters, and the sexual misadventures of streetwalkers, pimps and transsexuals, all in a voice that had seen it all and loved it all.

Our version contains a wealth of new material for readers. Included are extensive annotations and endnotes, an original Afterword by author and critic Ed Ward, a bibliography of Weegee’s photography books, and a guide for further study on works about Weegee.”

http://devault-gravesagency.weebly.com/weegee-the-autobiography.html

“Union Members vacationing at the camp of the International Ladies Garment Workers Union got a good view this summer of modern dance… Helen Tamiris and her dance troupe. Thursday the troupe entertained campers with dances developed there-among them Ferdinand the Bull, above, danced by Milton Feher and Vivian Cherry…” Photo by Martin Harris.


(Photos by the great Gene Badger.)


(Photos by Ylla.)

PM, August 31, 1941