
PM, January 20, 1941, pp. 18-19

PM, January 20, 1941, pp. 18-19 (Not the same page 18.)

PM, January 20, 1941, pp. 18-19 (Not the photo that was published.)
“I had been doing freelance for Acme ever since I had left my job with them in 1935 [!!!]. I went to work for PM in 1940. When the word had first got around that a newspaper like PM was being formed, every newspaperman and photographer in the country tried to get on the staff. Except me. I figured that, if they wanted me, they could come and get me. Sure enough, about a month before publication, I met the editor. He said, “Weegee, you’re doing wonderful work. Be sure to bring your pictures to me.” I replied, “Give me a guarantee, and the bet’s on.” The upshot was that I had a roving assignment from PM for the next four-a-half years. I picked my own stories. When I found a good one, I brought it in. All they had to do was to mail me a weekly check for seventy-five dollars… which they did.
[According to an online inflation calculator, $75 in 1940 has the same buying power as $1,271.44 in 2015.]
Sometimes PM didn’t see me for weeks, I was happy; I got my check every week. When finally I would come into their offices in Brooklyn they would greet me with, “Welcome home, Weegee! Where have you been, on vacation?” I’d say, “Look, what do you want me to do, go out and commit a murder?”
One of the reasons PM eventually folded was that it was ahead of the times. There were not quite as many eggheads around then as there are now. All the lost souls used to read PM and swear by it. You could tell PM readers on sight. They looked like people from another planet waiting for somebody to take them to their leader… which of course, was PM.
Weegee by Weegee, 1961, pp. 85-86
A PM gets attention in Chelsea… (January 14, 2016)
“PM New York Daily: 1940 – 48” – Steven Kasher Gallery (January 14 – February 20, 2016)
Great exhibition… (Our rating: 4 and a half speed graphics:-) Everything is for sale…
A Tabloid’s Photographs
That Don’t Tell
the Whole Story
By John Leland Jan. 15, 2016The images here look trustworthy, don’t they? After all, what captures the world more objectively, with less bias and distortion, than a photograph? Ralph Steiner, the great photographer and documentary filmmaker, warned anyone who looked at the images not to trust them.
“ ‘The camera cannot lie’ is true only in the sense that it is a little harder to tell a complete falsehood with a camera than with words,” Mr. Steiner wrote. “The thing to bear in mind in ‘reading’ photographs is that none of them can tell the full truth.”
A remarkable thing about these sentences is that Steiner wrote them in his capacity as a picture editor at PM, the groundbreaking, photo-rich New York tabloid that was published from 1940 to 1948, where these images first ran. Among the remarkable things about PM, aside from the talent showcased there — Dashiell Hammett, Lillian Hellman, Drs. Seuss and Spock, Weegee and Helen Levitt, for starters — was that it called upon readers to view photographs differently.
“The editors there recognized the photographer as an interpreter, which was very different for the time,” said Jason E. Hill, an assistant professor of art history at the University of Delaware and author of a forthcoming book about PM. “If you look at Life magazine, the photographs function as statements of fact. PM presented press photography as an interpretation. It cast doubts on photography’s claims as a truthful account of the world. That’s unique now, and certainly in the ’40s.”
The 1941 Weegee photograph “Their First Murder” (Slide 11) illustrated the PM method, Mr. Hill said. The image covered half a page, with just a little text and a much smaller image of a dead body. “Another paper would lead with the corpse,” Mr. Hill said. “But at PM, it was much more interesting to think about how people consume the sights around them.”
In eight years, the tabloid was gone. But more than 75 of its images can be seen at the Steven Kasher Gallery in Chelsea through Feb. 20.
“PM New York Daily: 1940 – 48” – Steven Kasher Gallery (January 14 – February 20, 2016)
In our electronic filing cabinet, please file this under exhibitions…
Images and words from ebay:
“From my personal Photo Collection i sell some items. So please look also to my other Auctions.
Photo of a trumpet player by WEEGEE the Famous, with original Copyright Stamp on the back, very rare item, size 12x10cm, in very good condition for its age
Ship worldwide, registered Airmail, 10 USD, Payment within 3 working days, Payment only via paypal
Good Luck”
Sold for $39.00
(If that’s a trumpet, then the photo was made by Weegee… If that’s a clarinet, then I don’t think it was…)
“THE AUTHOR as he wrote this article. Note cigars, fireman boots, and extra camera. Stool goes back in trunk compartment and is brought out to type captions right after pix are made.” 1943. (No darkroom. No enlarger, trays of developer, stop bath, fixer, no running water, safe light, etc…)
Happy 15th Birthday Wikipedia:
“He maintained a complete darkroom in the trunk of his car, to expedite getting his free-lance product to the newspapers. Weegee worked mostly at nightclubs; he listened closely to broadcasts and often beat authorities to the scene…”
“She came to photography relatively late, almost in her 30s, after a sheltered Boston upbringing that became what can only be described as a Zelig adulthood: a college year in Paris spent in the same hotel as Susan Sontag; a stint waitressing at the 1958 Brussels World’s Fair, where she was propositioned by the photographer Weegee (“I had no idea who he was!” she says); a job as a secretary for Grove Press in New York during the heyday of its obscenity battles and its ascendancy as a haven for Beat poets, who seemed to gravitate toward Ms. Dorfman like a mother soul…”
NY Times, January 6, 2016